And no, I'm not talking about dinner and a movie.
What I’m talking about here is whether putting the year in a timeline is a good idea.
When this subject came up during a workshop the other day, it struck me that a blog post might be in order as I believe there are several good points to be made.
The experts recommend that we don’t date our stories. Why? Because in most cases, by not doing so, we allow the story to remain timeless.
Unless you’re writing historical fiction, I caution writers to think twice (or even three times) before adding to the manuscript itself the year in which your story takes place.
We want readers to feel as though our story could be happening right then (at the time they’re reading it), whether they are enjoying it today or twenty years from now, allowing them to feel more a part of the story, almost as if they could step right inside.
Naturally, certain aspects of your story could indicate somewhat of a vague timeline when it was written, like the use of or lack of use of cell phones, for example. I mean, just think about it. With the way the world is changing so rapidly, I’m pretty sure that if you are writing contemporary anything, something in your story will possibly give away the era in which it was written. But elements such as that will more likely fade into the background when your characters and storyline grab the readers and pull them right inside your book.
That said, in many cases, the year could, and probably is playing a significant role in your story if, even after giving it a lot of thought, you’ve chosen to stick it in there. This decision depends largely on your genre and the specific story you’re telling.
For instance, if you’re writing historical fiction, you may want to specifically reference the year to add to the reader’s experience, transporting them right back to, let’s say, the year 1670. But if you’re going to do that, be sure to do your research (on fashion, speech, and culture, just for starters) so that your readers aren’t continually pulled out of the story by period mistakes. And believe me, if you make them, readers will call you on it.
If you’re writing fantasy, science-fiction or some other facet of speculative fiction, the year shouldn’t be needed. Then again, in some instances, adding the year might actually help to make the unreal feel more realistic. Although, if you’re writing a futuristic story that takes place in this world, I’ll again advise you to think twice.
Have you ever read a book or seen a movie that was written some time ago, but is said to take place in a year that has now come and gone? The writer imagined what our world might be like in that then-future year, but now that we know better, it pretty much ruins the entire story when you spend the whole time you’re either reading it or watching it on the screen shaking your head.
A great example of this is the movie Back to the Future Part II, which was released in 1989, where the main character, Marty, is transported to the year 2015 with flying cars and hoverboards. The story, which was wonderfully entertaining at the time it was written, now might very well be seen as ridiculous to the reader or viewer, who can’t stop thinking about how unrealistic it is, fiction or not.
In an instance such as this, your story then becomes unbelievable or unreliable, and unfortunately, so do your characters, which means you as the author are viewed in the same light. And that’s not a particularly good impression, nor one that will invite readers to try your next book.
So, if you really want a timeline for your characters to follow or one to ground your readers in the pacing of the story, I suggest sticking with either the season, month, day of the week or time of day (depending on just how fast-paced your story is). In other words, skip the year itself so for the reader it will feel current, transporting them right over the main character’s shoulder.
I hope this bit of advice is helpful, but as always, if you have any questions whatsoever, please leave a comment below, and I’ll be sure to respond.
Happy Writing!
Gina